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19 for
  • Schlagworte: Plastik
[[missing key: :media.image-unavailable-label]]
Gustaf-Gründgens-Denkmal
Peter Rübsam
ca. 1980-1984
[[missing key: :media.image-unavailable-label]]
Der Schauspieler Paul Henckels
Peter Paul Fechner
nach 1927
[[missing key: :media.image-unavailable-label]]
Gustaf Gründgens als Hamlet
Jürgen Maass
1938
[[missing key: :media.image-unavailable-label]]
Gustaf-Gründgens-Denkmal
Peter Rübsam
1984
[[missing key: :media.image-unavailable-label]]
Der Schriftsteller Jean Cocteau
Arno Breker
nach 1946
[[missing key: :media.image-unavailable-label]]
Gründgens als Mephisto
Rudolf Christian Baisch
ca. 1950-1960
[[missing key: :media.image-unavailable-label]]
Der Schriftsteller Eugene Ionesco (Der Schlamm)
Rudolf Christian Baisch
um 1971
[[missing key: :media.image-unavailable-label]]
Der Schriftsteller Jean Genet
Bert Gerresheim
ca. 1970
[[missing key: :media.image-unavailable-label]]
Konsole tragender Putto
18. Jahrhundert
[[missing key: :media.image-unavailable-label]]
Konsole tragender Putto
[[missing key: :media.image-unavailable-label]]
Drei Grazien (Tanzlust)
Claire Volkart
1918
[[missing key: :media.image-unavailable-label]]
Hl. König oder Pilger
um 1490/1500
[[missing key: :media.image-unavailable-label]]
"Spottender Jude"
16. Jahrhundert
[[missing key: :media.image-unavailable-label]]
Jesse im Kirchenstuhl
wohl 19. Jahrhundert
[[missing key: :media.image-unavailable-label]]
Marienklage
ca. 1480
[[missing key: :media.image-unavailable-label]]
Julius Wilhelm Blaeser
Gustav Hermann Blaeser
1834/36
[[missing key: :media.image-unavailable-label]]
Technologia No. 01
Mounir Fatmi
2011
[[missing key: :media.image-unavailable-label]]
Technologia No. 02
Mounir Fatmi
2011
[[missing key: :media.image-unavailable-label]]
Kreuzfuß
ca.1150
Some parts of the objects made accessible on d:kult online are historical documents that may contain offensive language, derogatory and discriminatory terms and messages. The institutions in the network are responsible for the content shown on the d:kult online collection platform and endeavour to treat the content presented online with sensitivity. I agree