Charles Nuitter
- Charles Nuitter
1828 - 1899
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Nuitter studierte Jura und praktizierte in Paris seit 1849 als Anwalt. Er war ein eifriger Theaterbesucher; in den 50er Jahren des 19. Jahrhunderts begann er Librettos zu verfassen, hauptsächlich für Vaudevilles, später auch für opéras comiques, opéra bouffes, Operetten und Balletts. es wird geschätzt, dass etwa 500 Stücke schrieb oder an ihnen als Co-Autor mitwirkte, darunter sind Libretti für einige Werke Offenbachs und das Szenario für Léo Delibes` Ballett "Coppélia" (...).
(Charles-Louis-Étienne Nuitter was a French librettist, translator, writer and librarian born in Paris, France on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.
Nuitter studied law and practised in Paris from 1849. He was a keen theatre-goer, and in the 1850s he started writing librettos, mainly vaudevilles, later opéras comique, operas bouffes, operettas and ballets. It is estimated that he wrote or co-authored around 500 theatrical pieces, including libretti for several works by Offenbach, the scenario for Léo Delibes's ballet Coppélia (Nuitter had wanted the piece to be called La poupée de Nurnberg) and pieces by Hervé, Guiraud, Lalo, Lecocq and others, of which 100 or so were staged.
He helped translate Wagner's operas into French (Tannhäuser, 1861, Rienzi, 1869, Lohengrin 1870 and Der fliegende Holländer, 1872). Other translations include I Capuleti e i Montecchi, Oberon, Abu Hassan, Die Zauberflöte, and Verdi's Macbeth, Aida, La forza del destino and Simon Boccanegra. Wagner and Verdi esteemed highly the quality of his translations, and he assisted Verdi over the revision of Don Carlos in 1882 - 83. From a different era, Nuitter's translation of La Prière du matin et du soir by Emilio de' Cavalieri (1600) was performed regularly at the Concerts du Conservatoire during the 1870s, 80s and beyond.)
Quelle: http://www.en.wikipedia.org (Stand: Nov. 2009; Übersetzung und Auswahl: Theatermuseum)
